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<title>Houston Theater District</title>
<itunes:subtitle>Houston Theater District</itunes:subtitle>
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<pubDate>Fri, 03 Jul 2009 02:18:08 GMT</pubDate>
		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2980</link>

			<title>Twilight of Romanticism</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2980&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Twilight of Romanticism&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100501T130000Z&quot;&gt;1-May-10 8:00 AM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100502T030000Z&quot;&gt;1-May-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Wortham Theater Center, Cullen Hall, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;a style=&quot;font-size: 14pt;&quot; href=&quot;http://www.dacamera.com/schedule-tickets/the_twilight_of_romanticism&quot;&gt;The Twilight of Romanticism&lt;/a&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/OrionQuartetweb.jpg&quot; align=&quot;right&quot; width=&quot;250&quot; height=&quot;415&quot; hspace=&quot;10&quot; /&gt;Da Camera welcomes back the brilliant Orion String Quartet and proudly presents soprano Kelly Nassief in her Da Camera debut for an evening of works on the cusp between Romantic and modern.&amp;nbsp;The seminal compositions of Richard Wagner and Johannes Brahms, viewed as musical opposites in their own time, each provided irreplaceable inspiration for the young Arnold Schoenberg. Both influences are heard in the passionate and fiery Chamber Symphony, performed here in Webern&#8217;s arrangement for Piano Quintet. Of the Wesendonck Lieder, Wagner wrote, &#8220;I have done nothing better than these songs.&#8221;&lt;br&gt;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Program: &lt;br&gt;
&lt;/div&gt;
&lt;div&gt;Wagner:&amp;nbsp; Wesendonck Lieder
&lt;/div&gt;
&lt;div&gt;Schoenberg: Chamber Symphony No. 1 in E Major, Op. 9 (arr. Webern)
&lt;/div&gt;
&lt;div&gt;Brahms: String Quintet No. 2 in G Major, Op. 111
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Musicians: Kelly Nassief, soprano; Pacifica Quartet (Daniel Phillips, violin; Todd Phillips, violin; Steven Tenenbom, viola; Timothy Eddy, cello); Ida Kavafian, viola; Sarah Rothenberg, piano
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&lt;br&gt;
&lt;/div&gt;
&lt;div&gt;&#8220;The Orion performed with confidence, precision, fluidity and surprising wit. The ensemble's style is tightly cohesive, with attention to nuance and crisp ornamentation.&#8221;&#8212; The Los Angeles Times
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&#8220;Soprano Kelly Nassief is a real find. With pin-point focus, her clear, bright intonation is radiant.&#8221;&#8212; Albuquerque Journal&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;a href=&quot;http://www.facebook.com/pages/Houston-TX/Da-Camera-of-Houston/71874900450&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/facebookimage.jpg&quot; align=&quot;left&quot; width=&quot;165&quot; height=&quot;53&quot; /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Wortham Theater Center, Cullen Hall
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;501 Texas&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2980</guid>

			<pubDate>Fri, 05 Jun 2009 19:52:19 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2986</link>

			<title>Jazz: Esperanza Spalding</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2986&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Jazz: Esperanza Spalding&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100425T010000Z&quot;&gt;24-Apr-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100425T030000Z&quot;&gt;24-Apr-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Wortham Theater Center, Cullen Hall, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;/div&gt;
&lt;a style=&quot;font-size: 18pt;&quot; href=&quot;http://www.dacamera.com/schedule-tickets/esperanza_spalding&quot;&gt;Esperanza Spalding&lt;/a&gt;
&amp;nbsp;
&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/EsperanzaSpaldingsmall.jpg&quot; align=&quot;right&quot; border=&quot;0&quot; width=&quot;240&quot; height=&quot;358&quot; hspace=&quot;10&quot; /&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;If &#8220;esperanza&#8221; is the Spanish word for hope, then bassist, vocalist and composer
Esperanza Spalding could not have been given a more fitting name at birth. The
23-year-old prodigy is blessed with uncanny instrumental chops, a multi-lingual
voice that is part angel and part siren, and a natural beauty that borders on
the hypnotic.
&#8220;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;Those following jazz ought to keep an ear on the bassist Esperanza Spalding, who is
going about things her own way&#8230;The Esperanza Spalding experience is light, melodic,
joyful, always sort of minimalist and airborne.&#8221;
&#8212;Ben Ratliff, The New York Times
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;She is an irresistible performer.&#8221; &#8212;The Seattle Times
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;The Da Camera Jazz series also includes:
Charles Lloyd,&amp;nbsp;Kenny Garrett,&amp;nbsp;Dianne Reeves,&amp;nbsp;Ben Allison and Man Size Safe&amp;nbsp;and&amp;nbsp;Brandon Lee.
&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;strong style=&quot;font-size: 18pt;&quot;&gt;713-524-5050&amp;nbsp;&amp;nbsp;&amp;nbsp; www.dacamera.com&lt;/strong&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Wortham Theater Center, Cullen Hall
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;501 Texas&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2986</guid>

			<pubDate>Mon, 08 Jun 2009 21:30:17 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2990</link>

			<title>Modern Romantics</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2990&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Modern Romantics&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100407T003000Z&quot;&gt;6-Apr-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100407T023000Z&quot;&gt;6-Apr-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
The Menil Collection, Houston, TX 77006&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;a style=&quot;font-size: 18pt;&quot; href=&quot;http://www.dacamera.com/schedule-tickets/modern_romantics&quot;&gt;Modern Romantics&lt;/a&gt; &lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/Menil_placenotes.jpg&quot; align=&quot;right&quot; border=&quot;0&quot; width=&quot;200&quot; height=&quot;216&quot; hspace=&quot;15&quot; /&gt;&lt;br&gt;
&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;George Rochberg&#8217;s monumental String Quartet No. 3 represented a seminal break in 20th-century music. Radically marking a return to tonality, the quartet&#8217;s overt romanticism provoked discussion and controversy at its premiere in 1973. Rochberg set the stage for composers of succeeding generations to carry on the Romantic spirit. Harbison&#8217;s November  19, 1828 is a poignant memorial to Franz Schubert. The Shepherd School&#8217;s Jalbert, winner of the prestigious Stoeger Award for achievements in chamber music, is represented with the Houston premiere of a major new work.
&amp;nbsp;
&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Program:
&lt;/div&gt;
&lt;div&gt;Pierre Jalbert: Sonata for cello and piano
&lt;/div&gt;
&lt;div&gt;George Rochberg: String Quartet No. 3
&lt;/div&gt;
&lt;div&gt;John Harbison:  November 19, 1828 &lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;
Musicians: Curtis Macomber, violin; Andrew Jennings, violin; James Dunham, viola; Norman Fischer, cello; Jeanne Kierman Fischer, piano
&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-size: 10pt;&quot;&gt;Photo: (c) Placenotes, Kevin Keim&lt;br&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;The Menil Collection
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1515 Sul Ross&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77006&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2990</guid>

			<pubDate>Thu, 11 Jun 2009 15:34:13 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2979</link>

			<title>Steven Isserlis: Romantic Cello</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2979&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Steven Isserlis: Romantic Cello&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100326T130000Z&quot;&gt;26-Mar-10 8:00 AM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100327T030000Z&quot;&gt;26-Mar-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Zilkha Hall, Hobby Center for the Performing Arts, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/StevenIsserlisweb.jpg&quot; align=&quot;right&quot; width=&quot;250&quot; height=&quot;235&quot; hspace=&quot;10&quot; /&gt;Acclaimed worldwide as one of the leading cellists of his time, Steven Isserlis makes his Houston recital debut in a dramatic program evoking 100 years of romantic music. From 19th-century Romantics Chopin and Schumann -- whose bicentennials Da Camera celebrates this season -- to the 20th-century American composer Samuel Barber, born 100 years ago, we hear the passionate Romantic spirit masterfully expressed within the classical sonata form.
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Program:
&lt;/div&gt;
&lt;div&gt;Barber: Sonata in C Minor, Op. 6
&lt;/div&gt;
&lt;div&gt;Schumann:&amp;nbsp; Violin Sonata No. 3 in A Minor (arr. Isserlis)
&lt;/div&gt;
&lt;div&gt;Dohnanyi: Sonata in B-flat Minor for cello and piano, Op. 8
&lt;/div&gt;
&lt;div&gt;Chopin: Sonata in G Minor, Op. 65
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Musicians: Steven Isserlis, cello; Denes Varjon, piano
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;The music world - and music itself - is infinitely richer for the presence of Steven Isserlis.&#8221;
-&amp;#173; Gramophone&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Zilkha Hall, Hobby Center for the Performing Arts
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;800 Bagby&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2979</guid>

			<pubDate>Fri, 05 Jun 2009 19:38:48 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2985</link>

			<title>Jazz: Brandon Lee</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2985&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Jazz: Brandon Lee&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100321T010000Z&quot;&gt;20-Mar-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100321T030000Z&quot;&gt;20-Mar-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Wortham Theater Center, Cullen Hall, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&lt;span&gt;&lt;a href=&quot;http://www.dacamera.com/schedule-tickets/brandon_lee_quartet_&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;Brandon Lee Quintet&lt;/span&gt;
&lt;/a&gt;&amp;nbsp;
&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/BrandonLeeweb.jpg&quot; align=&quot;right&quot; width=&quot;250&quot; height=&quot;329&quot; hspace=&quot;10&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;
&lt;div style=&quot;font-size: 12pt;&quot;&gt;The talented trumpeter and graduate of Houston&#8217;s High School for the Performing and
Visual Arts makes his Da Camera debut on the heels of the release of his
debut album, From Within. The youngest faculty member in the jazz studies
program at The Juilliard School, Brandon Lee has performed with Benny Golson,
Clark Terry, Wynton Marsalis, Lincoln Center Jazz Orchestra, Wycliffe Gordon,
Hank Jones, Ray Brown, Eddie Henderson and Lewis Nash.
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;from Houston, one of the baddest *#$*%* on trumpet
out here.&#8221; &#8212; Wynton Marsalis
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;The Da Camera Jazz series also includes:
Charles Lloyd,&amp;nbsp;Kenny Garrett,&amp;nbsp;Dianne Reeves,&amp;nbsp;Ben Allison and Man Size Safe&amp;nbsp;and&amp;nbsp;Esperanza Spalding. Subscribe now!&lt;br&gt;
&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Wortham Theater Center, Cullen Hall
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;501 Texas&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2985</guid>

			<pubDate>Mon, 08 Jun 2009 19:29:33 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2977</link>

			<title>The Spirit of England</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2977&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;The Spirit of England&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100213T020000Z&quot;&gt;12-Feb-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100213T040000Z&quot;&gt;12-Feb-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Wortham Theater Center, Cullen Hall, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;
&lt;div&gt;Two gems of the British chamber music repertoire are featured in this English tribute: Vaughan Williams&#8217;s atmospheric settings of A.E. Housman poems and Elgar&#8217;s majestic Piano Quintet. Tenor Andrew Kennedy, known for his dramatic performances in song and opera, and celebrated rising-star Orion Weiss make their Da Camera debuts. &amp;nbsp; &lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Program:&amp;nbsp; &lt;br&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;Vaughan Williams: On Wenlock Edge
&lt;/div&gt;
&lt;div&gt;Elgar: Piano Quintet in A Minor, Op. 84
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;Musicians: Andrew Kennedy, tenor; Laurie Smukler, violin; Kyung-Sun Lee, violin; Wayne Brooks, viola; Brinton Avril Smith, cello; Orion Weiss, piano
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&lt;br&gt;
&lt;/div&gt;
&lt;div&gt;&#8220;[Andrew Kennedy is] a singer of wide, lustrous tone and striking dramatic prowess&#8221; -- The Times of London
&amp;nbsp;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;[Orion Weiss] played with scintillating charm&#8230;All the necessary responses to the music came naturally - charm, pliant phrasing, dazzling speed in fast-movement runs.&#8221;&#8212;Houston Chronicle&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;br&gt;
&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Wortham Theater Center, Cullen Hall
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;501 Texas&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2977</guid>

			<pubDate>Fri, 05 Jun 2009 19:27:34 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2984</link>

			<title>Jazz: Ben Allison &#0038; Man Size Safe</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2984&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Jazz: Ben Allison &amp; Man Size Safe&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100207T020000Z&quot;&gt;6-Feb-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100207T040000Z&quot;&gt;6-Feb-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Wortham Theater Center, Cullen Hall, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;
&lt;p&gt;&lt;a style=&quot;font-size: 14pt;&quot; href=&quot;http://www.dacamera.com/schedule-tickets/ben_allison_and_man_size_safe&quot;&gt;Ben Allison and Man Size Safe&lt;/a&gt;&lt;a href=&quot;http://www.dacamera.com/schedule-tickets/ben_allison_and_man_size_safe&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;/attachments/wysiwyg/392/BenAllisonweb.jpg&quot; align=&quot;right&quot; border=&quot;0&quot; width=&quot;250&quot; height=&quot;339&quot; hspace=&quot;10&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;Ben Allison is a &#8220;visionary composer, adventurous improviser, and strong
organizational force on the New York City jazz scene, [and] has emerged as a
rising star over the past decade&#8221; (JazzTimes). Cited in the &#8220;Best Bassist&#8221; category
of the 2007, 2006 and 2005 Down Beat Readers&#8217; Poll. Allison&#8217;s Man Size Safe
quintet mixes joyous exuberance and good-humored irreverence with textured
grooves and an occasional political jab.
&lt;/div&gt;
&lt;span&gt;
&lt;div&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&#8220;Ben Allison's music has all the earmarks of jazz in motion to a higher evolutionary plateau.&#8221; -- Billboard
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;The Da Camera Jazz series also includes:
Kenny Garrett,&amp;nbsp;Dianne Reeves,&amp;nbsp;Ben Allison and Man Size Safe,
Brandon Lee&amp;nbsp;and&amp;nbsp;Esperanza Spalding.
&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;Wortham Theater Center, Cullen Hall
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;501 Texas&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2984</guid>

			<pubDate>Mon, 08 Jun 2009 19:09:34 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2989</link>

			<title>Piano recital: Seymour Lipkin</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2989&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Piano recital: Seymour Lipkin&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100127T013000Z&quot;&gt;26-Jan-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100127T033000Z&quot;&gt;26-Jan-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
The Menil Collection, Houston, TX 77006&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-size: 12pt;&quot;&gt;
&lt;div&gt;
&lt;div&gt;&lt;a style=&quot;font-size: 14pt;&quot; href=&quot;http://www.dacamera.com/schedule-tickets/seymour_lipkin_piano&quot;&gt;Seymour Lipkin, piano&lt;/a&gt; &lt;img alt=&quot;Seymour Lipkin&quot; src=&quot;/attachments/wysiwyg/392/SeymourLipkinweb.jpg&quot; align=&quot;right&quot; border=&quot;0&quot; width=&quot;250&quot; height=&quot;417&quot; hspace=&quot;15&quot; /&gt;&lt;br&gt;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;A giant of the keyboard, known for his recordings of the complete sonatas of Beethoven and Schubert, makes a rare Houston appearance. A student of Rudolf Serkin and Mieczyslaw Horszowski at the Curtis Institute of Music, Seymour Lipkin won the prestigious Rachmaninoff Competition at age 19 and went on to a distinguished career recording, appearing with orchestras and playing chamber music.&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;All-Beethoven program: &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;
&lt;div&gt;Fantasy in G Minor&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;
&lt;div&gt;32 Variations in C Minor &lt;/div&gt;
&lt;div&gt;Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 &#8220;Moonlight&#8221;&amp;nbsp; &lt;/div&gt;
&lt;div&gt;Sonata No. 29 in B-flat, Op. 106 &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; &#8220;Hammerklavier&#8221;
&lt;/div&gt;
&amp;nbsp;
&lt;div&gt;&#8220;...Technically his pianism far outshines Schnabel, while he is more consistent than Backhaus, more exciting than Arrau, plays with more tonal beauty than Brendel...&#8221; -- &lt;em&gt;American Record Guide&lt;/em&gt;&lt;/div&gt;
&lt;/span&gt;
&lt;div&gt;&lt;em&gt;&lt;/em&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;url fn&quot; href=&quot;http://www.dacamera.com&quot;&gt;The Menil Collection
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1515 Sul Ross&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77006&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2989</guid>

			<pubDate>Thu, 11 Jun 2009 15:00:49 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2972</link>

			<title>The Santaland Diaries</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2972&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;The Santaland Diaries&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20091228T013000Z&quot;&gt;27-Dec-09 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20091228T023000Z&quot;&gt;27-Dec-09 8:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Alley Theatre, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;p&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;&lt;strong&gt;&lt;em&gt;David Sedaris&#8217; Irreverent Holiday Comedy&lt;/em&gt;&lt;br&gt;
The Santaland Diaries&lt;br&gt;
&lt;/strong&gt;By David Sedaris&lt;br&gt;
Adapted for the stage by Joe Mantello&lt;br&gt;
Neuhaus Stage&lt;br&gt;
November 27 through December 27, 2009 (press opening: December 4, 2009)&lt;br&gt;
&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;This play is a subscription add-on.&lt;br&gt;
&lt;strong&gt;Recommended for mature audiences due to language and subject matter.&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;Company Actor Todd Waite will reprise his role as &#8220;Crumpet the Elf&#8221; in the outlandish, and true, chronicles of David Sedaris&#8217; experience as a worker in Macy&#8217;s SantaLand display.&amp;nbsp; This compact, one-character comedy has been described as &quot;a dream rendition at the Alley Theatre, courtesy of the ideally cast Todd Waite&quot; by the &lt;em&gt;Houston Chronicle&lt;/em&gt;. &lt;strong&gt;The Santaland Diaries&lt;/strong&gt; is an hilarious cult classic, featuring comic encounters during the height of the holiday crunch. NPR humorist and best-selling author of &lt;em&gt;Me Talk Pretty One Day&lt;/em&gt; and &lt;em&gt;Dress Your Family in Corduroy and Denim&lt;/em&gt;, David Sedaris has become one of America&#8217;s pre-eminent humor writers.&amp;nbsp;&amp;nbsp;&lt;br&gt;
&lt;br&gt;
For more information visit &lt;/span&gt;&lt;a href=&quot;http://www.alleytheatre.org/&quot;&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;www.alleytheatre.org&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt; or call 713.220.5700.&amp;nbsp; &lt;br&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2972</guid>

			<pubDate>Thu, 28 May 2009 18:59:22 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.houstontheaterdistrict.org/en/cev/2974</link>

			<title>The Santaland Diaries</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/2974&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;The Santaland Diaries&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20091227T203000Z&quot;&gt;27-Dec-09 2:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20091227T213000Z&quot;&gt;27-Dec-09 3:30 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
Alley Theatre, Houston, TX 77002&lt;/span&gt;
&lt;br/&gt;
Speaker: &lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;p&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;&lt;strong&gt;&lt;em&gt;David Sedaris&#8217; Irreverent Holiday Comedy&lt;/em&gt;&lt;br&gt;
The Santaland Diaries&lt;br&gt;
&lt;/strong&gt;By David Sedaris&lt;br&gt;
Adapted for the stage by Joe Mantello&lt;br&gt;
Neuhaus Stage&lt;br&gt;
November 27 through December 27, 2009 &lt;br&gt;
&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;This play is a subscription add-on.&lt;br&gt;
&lt;strong&gt;Recommended for mature audiences due to language and subject matter.&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;Company Actor Todd Waite will reprise his role as &#8220;Crumpet the Elf&#8221; in the outlandish, and true, chronicles of David Sedaris&#8217; experience as a worker in Macy&#8217;s SantaLand display.&amp;nbsp; This compact, one-character comedy has been described as &quot;a dream rendition at the Alley Theatre, courtesy of the ideally cast Todd Waite&quot; by the &lt;em&gt;Houston Chronicle&lt;/em&gt;. &lt;strong&gt;The Santaland Diaries&lt;/strong&gt; is an hilarious cult classic, featuring comic encounters during the height of the holiday crunch. NPR humorist and best-selling author of &lt;em&gt;Me Talk Pretty One Day&lt;/em&gt; and &lt;em&gt;Dress Your Family in Corduroy and Denim&lt;/em&gt;, David Sedaris has become one of America&#8217;s pre-eminent humor writers.&amp;nbsp;&amp;nbsp;&lt;br&gt;
&lt;br&gt;
For more information visit &lt;/span&gt;&lt;a href=&quot;http://www.alleytheatre.org/&quot;&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt;www.alleytheatre.org&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 8pt&quot;&gt; or call 713.220.5700.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;US&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/2974</guid>

			<pubDate>Thu, 28 May 2009 21:09:33 GMT</pubDate>

		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4257/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4257/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100628T003000Z&quot;&gt;27-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100628T023000Z&quot;&gt;27-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4257/</guid>
			<pubDate>Thu, 28 May 2009 16:05:06 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4236/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4236/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100627T193000Z&quot;&gt;27-Jun-10 2:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100627T213000Z&quot;&gt;27-Jun-10 4:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4236/</guid>
			<pubDate>Thu, 28 May 2009 15:59:18 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4244/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4244/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100627T010000Z&quot;&gt;26-Jun-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100627T030000Z&quot;&gt;26-Jun-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4244/</guid>
			<pubDate>Thu, 28 May 2009 16:03:02 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4235/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4235/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100626T193000Z&quot;&gt;26-Jun-10 2:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100626T213000Z&quot;&gt;26-Jun-10 4:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4235/</guid>
			<pubDate>Thu, 28 May 2009 15:59:18 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4243/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4243/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100626T010000Z&quot;&gt;25-Jun-10 8:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100626T030000Z&quot;&gt;25-Jun-10 10:00 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4243/</guid>
			<pubDate>Thu, 28 May 2009 16:03:02 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4256/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4256/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100625T003000Z&quot;&gt;24-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100625T023000Z&quot;&gt;24-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4256/</guid>
			<pubDate>Thu, 28 May 2009 16:05:06 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4255/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4255/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100624T003000Z&quot;&gt;23-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100624T023000Z&quot;&gt;23-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4255/</guid>
			<pubDate>Thu, 28 May 2009 16:05:06 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4254/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4254/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100623T003000Z&quot;&gt;22-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100623T023000Z&quot;&gt;22-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4254/</guid>
			<pubDate>Thu, 28 May 2009 16:05:06 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4885/</link>
			<title>Intelligence-Slave</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4885/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100621T003000Z&quot;&gt;20-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100621T023000Z&quot;&gt;20-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4885/</guid>
			<pubDate>Thu, 28 May 2009 15:52:44 GMT</pubDate>
		</item>

		<item>
			<category>Events</category>
			<link>http://www.houstontheaterdistrict.org/en/cev/r/dt/4253/</link>
			<title>Boeing-Boeing</title>
			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.houstontheaterdistrict.org/en/cev/r/dt/4253/&quot;&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20100621T003000Z&quot;&gt;20-Jun-10 7:30 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20100621T023000Z&quot;&gt;20-Jun-10 9:30 PM&lt;/abbr&gt;
&lt;br/&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;Alley Theatre
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;615 Texas Avenue&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;Houston&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;TX&lt;/span&gt;
&lt;span class=&quot;country-name&quot;&gt;USA&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;77002&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/cev/r/dt/4253/</guid>
			<pubDate>Thu, 28 May 2009 16:05:06 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.houstontheaterdistrict.org/en/art/375/</link>
			<title>HOUSTON BALLET LAUNCHES 40TH SEASON WITH THE REVIVAL OF SIR KENNETH MACMILLAN'S EPIC LOVE STORY MANON</title>
			<description>&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;HOUSTON BALLET LAUNCHES 40TH SEASON WITH &lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;THE REVIVAL OF SIR KENNETH MACMILLAN'S EPIC LOVE STORY &lt;em&gt;MANON&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Houston, Texas&lt;/strong&gt; -- From September 10-20, 2009, Houston Ballet launches its 40&lt;sup&gt;th&lt;/sup&gt; season with a revival of the epic love story &lt;strong&gt;Manon&lt;/strong&gt;, choreographed by Sir Kenneth MacMillan and featuring scenery and costumes by the acclaimed British designer Peter Farmer. Houston Ballet will give six performances of &lt;strong&gt;Manon&lt;/strong&gt; at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting &lt;a href=&quot;http://www.houstonballet.org/&quot;&gt;www.houstonballet.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Based on the famous 18&lt;sup&gt;th&lt;/sup&gt; century French novel &lt;em&gt;Manon Lescaut&lt;/em&gt; (1731) by Abb&amp;#233; Pr&amp;#233;vost, the ballet depicts the romantic adventures of the irresistibly beautiful Manon and her one true love, the impoverished student Des Grieux, from the demi monde of Paris to the bayous of Louisiana. Sir Kenneth has created a brilliant dance drama that explores the relationship between love, sex, and the corrupting power of money. The passion and danger of Manon's central pas de deux have proven irresistible to audiences around the world, and have made it one of the most popular full-length ballets of the second half of the 20&lt;sup&gt;th&lt;/sup&gt; century. &lt;/p&gt;
&lt;p&gt;MacMillan commented that he created &lt;strong&gt;Manon&lt;/strong&gt; because &quot;The characters fascinate me. You have a 16-year-old heroine who is beautiful and totally amoral, and a hero who is corrupted by her and becomes a cheat, a liar, and a murderer. Not exactly your conventional ballet plot, is it?&quot;&lt;/p&gt;
&lt;p&gt;&quot;Dancing the role of Manon has become a rite of passage for dancers, like performing the title role of Odette/Odile in &lt;strong&gt;Swan Lake&lt;/strong&gt;. There are so many wonderful roles to dance in the work and it showcases how MacMillan kept classical ballet alive, by taking it in a new direction,&quot; says Mr. Welch, who himself performed the leading male role of Des Grieux in &lt;strong&gt;Manon&lt;/strong&gt; while a young dancer with The Australian Ballet in the early 1990s.&lt;/p&gt;
&lt;p&gt;Launching Houston Ballet's 40&lt;sup&gt;th&lt;/sup&gt; anniversary season with &lt;strong&gt;Manon&lt;/strong&gt; is an acknowledgment of the key role that Sir Kenneth played in Houston Ballet's history, and his influence on Houston Ballet's repertoire during his time as the company's artistic associate from 1989 until his untimely death in 1992. During this period, Houston Ballet took five of his works into its repertoire: the one-act ballets &lt;strong&gt;Song of the Earth&lt;/strong&gt;, &lt;strong&gt;Gloria&lt;/strong&gt;, &lt;strong&gt;Elite Syncopations&lt;/strong&gt;, and &lt;strong&gt;Solitaire&lt;/strong&gt;; and the full-length, &lt;strong&gt;Manon&lt;/strong&gt;.&lt;br&gt;
&lt;br&gt;
Houston Ballet has become the leading exponent of MacMillan's works in America. Sir Kenneth's widow, Lady Deborah, who oversees the staging of MacMillan's work throughout the world, has served as a member of the national committee of the board of Houston Ballet Foundation since the mid 1990s.&lt;/p&gt;
&lt;p&gt;Hailed by &lt;em&gt;The New York Times&lt;/em&gt; as &quot;one of the century's great choreographers&quot; (September 12, 1993), Kenneth MacMillan was born in Dunfermline, Scotland in 1929. His strength of purpose can be traced back to the very beginning of his career when he read an advertisement announcing that scholarships for boys were available at the Sadler's Wells (now Royal) Ballet School, where he completed his dance training and in 1946 became a founding member of the Sadler's Wells Theatre Ballet, a new company formed by Ninette de Valois. In 1966, MacMillan received an invitation to direct the ballet company at the Deutsche Oper in West Berlin. Encouraged to accept by Dame Ninette, he took over the company and staged his own productions of &lt;strong&gt;The Sleeping Beauty&lt;/strong&gt; and &lt;strong&gt;Swan Lake&lt;/strong&gt;. He also created the one-act ballet &lt;strong&gt;Anastasia,&lt;/strong&gt; which was subsequently to become the third act of his full-length &lt;strong&gt;Anastasia&lt;/strong&gt;. &lt;/p&gt;
&lt;p&gt;Sir Kenneth had proved himself as the natural successor to Sir Frederick Ashton as director of The Royal Ballet, a post he assumed (at first in association with John Field) at the beginning of the 1970-1971 season and held until 1977, when he was appointed the company's resident choreographer. He received his knighthood in 1993. &lt;/p&gt;
&lt;p&gt;MacMillan, along with Ashton, has been hailed as one of the greatest choreographers of full-length ballets of the 20&lt;sup&gt;th&lt;/sup&gt; century. Mary Clarke, editor of&lt;em&gt; The Dancing Times&lt;/em&gt; of London commented, &quot;It is no exaggeration to say that Kenneth MacMillan, through his choreography and through his choice of subject matter, pushed back the frontiers of ballet. Other choreographers before him explored human relationships but none ventured so bravely and so widely into complex and often tragic situations, with some characters culled from literature, some from his own imagination and some from real life.&quot;&lt;/p&gt;
&lt;p&gt;MacMillan created &lt;strong&gt;Manon&lt;/strong&gt; in 1974 for England's The Royal Ballet. Since its premiere, &lt;strong&gt;Manon&lt;/strong&gt; has received critical acclaim in performances by Paris Opera Ballet, Vienna State Opera Ballet, The Australian Ballet, English National Ballet and The National Ballet of Canada. Houston Ballet first performed &lt;strong&gt;Manon&lt;/strong&gt; in 1994, and revived the work in 1998 and in 2002. Houston Ballet and American Ballet Theatre are the only American companies that perform the work. &lt;/p&gt;
&lt;p&gt;Houston Ballet's performances of &lt;strong&gt;Manon&lt;/strong&gt; are generously underwritten by The Wortham Foundation.&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;The Story of Sir Kenneth MacMillan's &lt;em&gt;Manon&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Manon &lt;/strong&gt;is set in 18&lt;sup&gt;th&lt;/sup&gt; century France, and opens in the courtyard of an inn near Paris. In the first scene the audience is introduced to several characters who play key roles throughout the ballet. The beautiful Manon arrives in a coach, on her way to a convent. She is to meet her brother Lescaut, a young adventurer with a fondness for drink, women, and gambling. During her journey, Manon has attracted the attention of a rich older gentleman. A rich man of the world, Monsieur G.M., also has his eye on Manon, and he speaks to Lescaut about engaging Manon as his mistress. Des Grieux, a young divinity student at the inn, is struck by Manon's beauty, and falls in love with her, persuading her to elope with him. &lt;/p&gt;
&lt;p&gt;In the second scene of the ballet, Manon and Des Grieux dance their love for each other in a pas de deux at Des Grieux's lodgings in Paris. Des Grieux leaves briefly to mail a letter to his father. Lescaut arrives with Monsieur G.M., who brings Manon jewels and opulent clothes to lure her into becoming his mistress. Enchanted by the vistas of wealth that she can imagine, Manon stifles her regret at leaving Des Grieux, her first love, in the consoling touch of fur and jewels. She and Monsieur G.M. depart. Lescaut awaits Des Grieux's return to convince him that there will be a huge financial reward if Manon remains with Monsieur G.M.&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;The second act of the ballet unfolds in a private house in Paris, where the proprietress madame is pairing her courtesans off with various gentlemen. Lescaut, already drunk, enters with Des Grieux just in time to witness the arrival of Manon, magnificently dressed in a sumptuous gown, on the arm of Monsieur G.M. Manon is the envy of every man present at the party. Des Grieux takes her aside, and reminds her of his love for her. At first unmoved by his pleas, Manon eventually relents, telling Des Grieux that she will run away with him if he can win a great deal of money from Monsieur G.M. at a game of cards. She supplies him with the cards that will enable him to win by cheating. &lt;/p&gt;
&lt;p&gt;The third act of the ballet follows the disgraced Manon to New Orleans as she and Des Grieux pursue their romantic destiny to its ultimate conclusion in the bayous of Louisiana. &lt;br&gt;
&lt;/p&gt;
&lt;br clear=&quot;all&quot; /&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;HOUSTON&lt;/strong&gt;&lt;strong&gt; BALLET&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;&lt;em&gt;MANON&lt;/em&gt;&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;FACT SHEET &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;WHAT: MANON&lt;/strong&gt; &lt;br&gt;
Music by Jules Massenet (1842 - 1912)&lt;br&gt;
Orchestrated and arranged by Leighton Lucas,&lt;br&gt;
with the collaboration of Hilda Gaunt&lt;br&gt;
Choreography by Sir Kenneth MacMillan&lt;br&gt;
Designs by Peter Farmer&lt;br&gt;
Lighting by Christina Giannelli&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Generously sponsored by: &lt;/strong&gt;The Wortham Foundation, Inc.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ABOUT THE&lt;/strong&gt; &lt;strong&gt;PROGRAM:&lt;/strong&gt;&lt;br&gt;
A modern classic, &lt;strong&gt;Manon&lt;/strong&gt; charts the romantic adventures of an irresistibly beautiful &lt;em&gt;femme fatale&lt;/em&gt; and her one true love, the impoverished student Des Grieux, from the demi monde of Paris to the bayous of Louisiana. Sir Kenneth has created a brilliant dance drama that explores the relationship between love, sex, and the corrupting power of money. The passion and danger of &lt;strong&gt;Manon&lt;/strong&gt;'s central pas de deux have proven irresistible to audiences around the world, and have made it one of the most popular full-length ballets of the second half of the 20&lt;sup&gt;th&lt;/sup&gt; century.&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;WHEN:&lt;/strong&gt; At 7:30 pm on September 10, 12, 18, 19, 2009&lt;br&gt;
At 2:00 pm on September 13, 20, 2009&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;WHERE: &lt;/strong&gt;Brown Theater, Wortham Theater Center 501 Texas Avenue in downtown Houston&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TICKETS: &lt;/strong&gt;Start at $17.&lt;strong&gt; &lt;/strong&gt;Call (713) 227 ARTS or 1 800 828 ARTS&lt;br&gt;
Tickets are also available at &lt;a href=&quot;http://www.houstonballet.org/&quot;&gt;www.houstonballet.org&lt;/a&gt; and the Houston Ballet Box Office at Wortham Theater Center, 501 Texas Avenue (at Smith Street).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;FOR MORE &lt;/strong&gt;&lt;strong&gt;INFORMATION: &lt;/strong&gt;Visit Houston Ballet on the Web at&lt;strong&gt; &lt;/strong&gt;&lt;a href=&quot;http://www.houstonballet.org&quot;&gt;&lt;strong&gt;www.houstonballet.org&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;# # #&lt;/p&gt;
 
&lt;br&gt;&lt;br&gt;25-Jun-09 2:30 PM
</description>
			<itunes:subtitle>HOUSTON BALLET LAUNCHES 40TH SEASON WITH THE REVIVAL OF SIR KENNETH MACMILLAN'S EPIC LOVE STORY MANON</itunes:subtitle>
			<itunes:summary>&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;HOUSTON BALLET LAUNCHES 40TH SEASON WITH &lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;THE REVIVAL OF SIR KENNETH MACMILLAN'S EPIC LOVE STORY &lt;em&gt;MANON&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Houston, Texas&lt;/strong&gt; -- From September 10-20, 2009, Houston Ballet launches its 40&lt;sup&gt;th&lt;/sup&gt; season with a revival of the epic love story &lt;strong&gt;Manon&lt;/strong&gt;, choreographed by Sir Kenneth MacMillan and featuring scenery and costumes by the acclaimed British designer Peter Farmer. Houston Ballet will give six performances of &lt;strong&gt;Manon&lt;/strong&gt; at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting &lt;a href=&quot;http://www.houstonballet.org/&quot;&gt;www.houstonballet.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Based on the famous 18&lt;sup&gt;th&lt;/sup&gt; century French novel &lt;em&gt;Manon Lescaut&lt;/em&gt; (1731) by Abb&amp;#233; Pr&amp;#233;vost, the ballet depicts the romantic adventures of the irresistibly beautiful Manon and her one true love, the impoverished student Des Grieux, from the demi monde of Paris to the bayous of Louisiana. Sir Kenneth has created a brilliant dance drama that explores the relationship between love, sex, and the corrupting power of money. The passion and danger of Manon's central pas de deux have proven irresistible to audiences around the world, and have made it one of the most popular full-length ballets of the second half of the 20&lt;sup&gt;th&lt;/sup&gt; century. &lt;/p&gt;
&lt;p&gt;MacMillan commented that he created &lt;strong&gt;Manon&lt;/strong&gt; because &quot;The characters fascinate me. You have a 16-year-old heroine who is beautiful and totally amoral, and a hero who is corrupted by her and becomes a cheat, a liar, and a murderer. Not exactly your conventional ballet plot, is it?&quot;&lt;/p&gt;
&lt;p&gt;&quot;Dancing the role of Manon has become a rite of passage for dancers, like performing the title role of Odette/Odile in &lt;strong&gt;Swan Lake&lt;/strong&gt;. There are so many wonderful roles to dance in the work and it showcases how MacMillan kept classical ballet alive, by taking it in a new direction,&quot; says Mr. Welch, who himself performed the leading male role of Des Grieux in &lt;strong&gt;Manon&lt;/strong&gt; while a young dancer with The Australian Ballet in the early 1990s.&lt;/p&gt;
&lt;p&gt;Launching Houston Ballet's 40&lt;sup&gt;th&lt;/sup&gt; anniversary season with &lt;strong&gt;Manon&lt;/strong&gt; is an acknowledgment of the key role that Sir Kenneth played in Houston Ballet's history, and his influence on Houston Ballet's repertoire during his time as the company's artistic associate from 1989 until his untimely death in 1992. During this period, Houston Ballet took five of his works into its repertoire: the one-act ballets &lt;strong&gt;Song of the Earth&lt;/strong&gt;, &lt;strong&gt;Gloria&lt;/strong&gt;, &lt;strong&gt;Elite Syncopations&lt;/strong&gt;, and &lt;strong&gt;Solitaire&lt;/strong&gt;; and the full-length, &lt;strong&gt;Manon&lt;/strong&gt;.&lt;br&gt;
&lt;br&gt;
Houston Ballet has become the leading exponent of MacMillan's works in America. Sir Kenneth's widow, Lady Deborah, who oversees the staging of MacMillan's work throughout the world, has served as a member of the national committee of the board of Houston Ballet Foundation since the mid 1990s.&lt;/p&gt;
&lt;p&gt;Hailed by &lt;em&gt;The New York Times&lt;/em&gt; as &quot;one of the century's great choreographers&quot; (September 12, 1993), Kenneth MacMillan was born in Dunfermline, Scotland in 1929. His strength of purpose can be traced back to the very beginning of his career when he read an advertisement announcing that scholarships for boys were available at the Sadler's Wells (now Royal) Ballet School, where he completed his dance training and in 1946 became a founding member of the Sadler's Wells Theatre Ballet, a new company formed by Ninette de Valois. In 1966, MacMillan received an invitation to direct the ballet company at the Deutsche Oper in West Berlin. Encouraged to accept by Dame Ninette, he took over the company and staged his own productions of &lt;strong&gt;The Sleeping Beauty&lt;/strong&gt; and &lt;strong&gt;Swan Lake&lt;/strong&gt;. He also created the one-act ballet &lt;strong&gt;Anastasia,&lt;/strong&gt; which was subsequently to become the third act of his full-length &lt;strong&gt;Anastasia&lt;/strong&gt;. &lt;/p&gt;
&lt;p&gt;Sir Kenneth had proved himself as the natural successor to Sir Frederick Ashton as director of The Royal Ballet, a post he assumed (at first in association with John Field) at the beginning of the 1970-1971 season and held until 1977, when he was appointed the company's resident choreographer. He received his knighthood in 1993. &lt;/p&gt;
&lt;p&gt;MacMillan, along with Ashton, has been hailed as one of the greatest choreographers of full-length ballets of the 20&lt;sup&gt;th&lt;/sup&gt; century. Mary Clarke, editor of&lt;em&gt; The Dancing Times&lt;/em&gt; of London commented, &quot;It is no exaggeration to say that Kenneth MacMillan, through his choreography and through his choice of subject matter, pushed back the frontiers of ballet. Other choreographers before him explored human relationships but none ventured so bravely and so widely into complex and often tragic situations, with some characters culled from literature, some from his own imagination and some from real life.&quot;&lt;/p&gt;
&lt;p&gt;MacMillan created &lt;strong&gt;Manon&lt;/strong&gt; in 1974 for England's The Royal Ballet. Since its premiere, &lt;strong&gt;Manon&lt;/strong&gt; has received critical acclaim in performances by Paris Opera Ballet, Vienna State Opera Ballet, The Australian Ballet, English National Ballet and The National Ballet of Canada. Houston Ballet first performed &lt;strong&gt;Manon&lt;/strong&gt; in 1994, and revived the work in 1998 and in 2002. Houston Ballet and American Ballet Theatre are the only American companies that perform the work. &lt;/p&gt;
&lt;p&gt;Houston Ballet's performances of &lt;strong&gt;Manon&lt;/strong&gt; are generously underwritten by The Wortham Foundation.&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;The Story of Sir Kenneth MacMillan's &lt;em&gt;Manon&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Manon &lt;/strong&gt;is set in 18&lt;sup&gt;th&lt;/sup&gt; century France, and opens in the courtyard of an inn near Paris. In the first scene the audience is introduced to several characters who play key roles throughout the ballet. The beautiful Manon arrives in a coach, on her way to a convent. She is to meet her brother Lescaut, a young adventurer with a fondness for drink, women, and gambling. During her journey, Manon has attracted the attention of a rich older gentleman. A rich man of the world, Monsieur G.M., also has his eye on Manon, and he speaks to Lescaut about engaging Manon as his mistress. Des Grieux, a young divinity student at the inn, is struck by Manon's beauty, and falls in love with her, persuading her to elope with him. &lt;/p&gt;
&lt;p&gt;In the second scene of the ballet, Manon and Des Grieux dance their love for each other in a pas de deux at Des Grieux's lodgings in Paris. Des Grieux leaves briefly to mail a letter to his father. Lescaut arrives with Monsieur G.M., who brings Manon jewels and opulent clothes to lure her into becoming his mistress. Enchanted by the vistas of wealth that she can imagine, Manon stifles her regret at leaving Des Grieux, her first love, in the consoling touch of fur and jewels. She and Monsieur G.M. depart. Lescaut awaits Des Grieux's return to convince him that there will be a huge financial reward if Manon remains with Monsieur G.M.&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;The second act of the ballet unfolds in a private house in Paris, where the proprietress madame is pairing her courtesans off with various gentlemen. Lescaut, already drunk, enters with Des Grieux just in time to witness the arrival of Manon, magnificently dressed in a sumptuous gown, on the arm of Monsieur G.M. Manon is the envy of every man present at the party. Des Grieux takes her aside, and reminds her of his love for her. At first unmoved by his pleas, Manon eventually relents, telling Des Grieux that she will run away with him if he can win a great deal of money from Monsieur G.M. at a game of cards. She supplies him with the cards that will enable him to win by cheating. &lt;/p&gt;
&lt;p&gt;The third act of the ballet follows the disgraced Manon to New Orleans as she and Des Grieux pursue their romantic destiny to its ultimate conclusion in the bayous of Louisiana. &lt;br&gt;
&lt;/p&gt;
&lt;br clear=&quot;all&quot; /&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;HOUSTON&lt;/strong&gt;&lt;strong&gt; BALLET&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;&lt;em&gt;MANON&lt;/em&gt;&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;FACT SHEET &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;WHAT: MANON&lt;/strong&gt; &lt;br&gt;
Music by Jules Massenet (1842 - 1912)&lt;br&gt;
Orchestrated and arranged by Leighton Lucas,&lt;br&gt;
with the collaboration of Hilda Gaunt&lt;br&gt;
Choreography by Sir Kenneth MacMillan&lt;br&gt;
Designs by Peter Farmer&lt;br&gt;
Lighting by Christina Giannelli&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Generously sponsored by: &lt;/strong&gt;The Wortham Foundation, Inc.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ABOUT THE&lt;/strong&gt; &lt;strong&gt;PROGRAM:&lt;/strong&gt;&lt;br&gt;
A modern classic, &lt;strong&gt;Manon&lt;/strong&gt; charts the romantic adventures of an irresistibly beautiful &lt;em&gt;femme fatale&lt;/em&gt; and her one true love, the impoverished student Des Grieux, from the demi monde of Paris to the bayous of Louisiana. Sir Kenneth has created a brilliant dance drama that explores the relationship between love, sex, and the corrupting power of money. The passion and danger of &lt;strong&gt;Manon&lt;/strong&gt;'s central pas de deux have proven irresistible to audiences around the world, and have made it one of the most popular full-length ballets of the second half of the 20&lt;sup&gt;th&lt;/sup&gt; century.&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;WHEN:&lt;/strong&gt; At 7:30 pm on September 10, 12, 18, 19, 2009&lt;br&gt;
At 2:00 pm on September 13, 20, 2009&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;WHERE: &lt;/strong&gt;Brown Theater, Wortham Theater Center 501 Texas Avenue in downtown Houston&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TICKETS: &lt;/strong&gt;Start at $17.&lt;strong&gt; &lt;/strong&gt;Call (713) 227 ARTS or 1 800 828 ARTS&lt;br&gt;
Tickets are also available at &lt;a href=&quot;http://www.houstonballet.org/&quot;&gt;www.houstonballet.org&lt;/a&gt; and the Houston Ballet Box Office at Wortham Theater Center, 501 Texas Avenue (at Smith Street).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;FOR MORE &lt;/strong&gt;&lt;strong&gt;INFORMATION: &lt;/strong&gt;Visit Houston Ballet on the Web at&lt;strong&gt; &lt;/strong&gt;&lt;a href=&quot;http://www.houstonballet.org&quot;&gt;&lt;strong&gt;www.houstonballet.org&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;# # #&lt;/p&gt;
</itunes:summary>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/art/375/</guid>
			<author>noemail@houstontheaterdistrict.org</author>
			<pubDate>Thu, 25 Jun 2009 19:30:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.houstontheaterdistrict.org/en/art/374/</link>
			<title>Theatre Under The Stars&#8217; &#8220;Pick Four&#8221; Season Package On Sale Now!</title>
			<description>&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;HOUSTON, TEXAS&#8230;It&#8217;s never too late to become a subscriber and Theatre Under The Stars provides multiple subscription packages to fit your needs!&amp;nbsp;&amp;nbsp; &lt;strong&gt;TUTS has just announced the availability of the &#8220;Pick Four&#8221; special subscription offer&lt;/strong&gt;.&amp;nbsp; &lt;strong&gt;Subscribers may pick their favorite four out of six incredible musicals in TUTS&#8217; 2009-2010&amp;nbsp; &#8220;The One That You Want!&#8221;&lt;/strong&gt; season line-up at the Hobby Center for the Performing Arts (800 Bagby &amp;amp; Walker).&amp;nbsp; &#8220;Pick Four&#8221; packages are available for as little as $105 and allow subscribers to craft their own season.&amp;nbsp; Benefits of the four-show season package include: discounted subscriber pricing, discounts when purchasing additional individual tickets for certain shows, and freedom to exchange tickets for other performances. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;In its 2009-2010 season TUTS will feature some of the finest musical productions from the Broadway stage, combining powerful classics with innovative new creations and revivals. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Chills will multiply, you&#8217;ll lose control, this is the one that you want! T-Birds and Pink Ladies will have you hopelessly devoted as TUTS presents the tour of the 2008 Tony Award-nominated revival of Broadway&#8217;s, &lt;em&gt;&lt;strong&gt;Grease&lt;/strong&gt;&lt;/em&gt;, &lt;strong&gt;September 8-20, 2009&lt;/strong&gt; with special guest star,&lt;strong&gt; American Idol Taylor Hicks at selected performances!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Clang, Clang ,Clang&amp;nbsp;went the trolley! Charming musical staging and a treasured score are sure to bring back tender memories of times past. The beloved MGM movie musical brings all its magic and beauty to the stage for the TUTS debut of &lt;strong&gt;&lt;em&gt;Meet Me in St. Louis&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;September 29 &#8211; October 11, 2009&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Seven rambunctious children and the most irreverent nun ever to kick a habit lend their playfulness to the holidays at TUTS, welcoming your family into theirs, with &lt;strong&gt;&lt;em&gt;The Sound of Music&lt;/em&gt;&lt;/strong&gt;. Sure to be one of &#8220;your favorite things,&#8221; sing along with us from &lt;strong&gt;December 8-20, 2009!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Lovers separated and clashing cultures create the passion and thrills of &lt;strong&gt;&lt;em&gt;Miss Saigon&lt;/em&gt;&lt;/strong&gt;, the epic pop-opera that transports you halfway around the world. &#8220;The Heat is On in Saigon&#8221; warms TUTS from &lt;strong&gt;February 9-21, 2010&lt;/strong&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp; &#8220;Gorgeous!&amp;nbsp;&lt;strong&gt;&lt;em&gt;South Pacific&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;doesn&#8217;t just float; it soars!&#8221; cheers &lt;em&gt;USA Today&lt;/em&gt;. &#8220;Simply Wonderful! Theatrical Magic!&#8221; exclaims the &lt;em&gt;New York Post&lt;/em&gt;. TUTS is proud to welcome this dazzling wartime love story and seven-time 2008 Tony Award&amp;#174;-winning Lincoln Center Theatre production revival &lt;strong&gt;March 9-21, 2010&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;An American standard takes on a new frontier in the innovative and refreshingly wholesome new musical, &lt;strong&gt;&lt;em&gt;Little House on the Prairie&lt;/em&gt;&lt;/strong&gt;! Join TUTS as the old-time values and spirit of this classical TV series unfold on the stage, &lt;strong&gt;April 28- May 9, 2010&lt;/strong&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8220;Pick Four&#8221; subscriptions to Theatre Under The Stars&#8217; 2009-2010 season are available by phone at &lt;strong&gt;(713) 558-8887&lt;/strong&gt;, outside the Houston area at (&lt;strong&gt;888) 558-3882&lt;/strong&gt;,&amp;nbsp; &lt;strong&gt;in person at the Theatre Under The Stars Box Office&lt;/strong&gt; (800 Bagby at Walker) &lt;strong&gt;or online at TUTS.com&lt;/strong&gt;.&amp;nbsp; For a &#8220;Pick Four&#8221; brochure, call Theatre Under The Stars at &lt;strong&gt;(713) 558-2600&lt;/strong&gt;.&amp;nbsp; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;For all of Theatre Under The Stars&#8217; 2009-2010 shows, air transportation is provided by &lt;strong&gt;Continental Airlines&lt;/strong&gt;, the official airline of Theatre Under The Stars.&amp;nbsp; Additional support is provided by &lt;strong&gt;St. Luke&#8217;s Episcopal Health System&lt;/strong&gt;, the official Healthcare Partner of Theatre Under The Stars. Media sponsors include &lt;strong&gt;ABC-13&lt;/strong&gt; and &lt;em&gt;&lt;strong&gt;Houston Chronicle&lt;/strong&gt;&lt;/em&gt;.&amp;nbsp; Season support is funded in part by grants from the&lt;strong&gt; City of Houston through the Theater District Association&lt;/strong&gt; and the &lt;strong&gt;Texas Commission on the Arts&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Founded in 1968, Theatre Under The Stars (TUTS) is Houston&#8217;s acclaimed non-profit musical theatre company and is currently under the direction of President and CEO John C. Breckenridge.&amp;nbsp; TUTS was the first theatrical organization in Houston to perform free to the public in 1968 at Miller Outdoor Theatre in Hermann Park, and is the only Houston arts organization that has performed there free to the public every year since the building opened.&amp;nbsp; Since its founding by Frank M. Young, TUTS has produced more than 300 musicals including many local, national and world premieres such as &lt;strong&gt;&lt;em&gt;Disney&#8217;s When You Wish&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;Kopit and Yeston&#8217;s &lt;em&gt;Phantom&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;Jekyll&amp;nbsp;&amp;amp; Hyde&lt;/em&gt;&lt;/strong&gt;, &lt;em&gt;&lt;strong&gt;Disney&#8217;s Beauty and the Beast&lt;/strong&gt;&lt;/em&gt;, &lt;em&gt;&lt;strong&gt;Funny Girl&lt;/strong&gt;&lt;/em&gt;, and&lt;strong&gt;&lt;em&gt; Irving Berlin&#8217;s White Christmas&lt;/em&gt;&lt;/strong&gt;. TUTS has also produced international tours including Debbie Reynolds in &lt;strong&gt;&lt;em&gt;The Unsinkable Molly Brown&lt;/em&gt;&lt;/strong&gt;, Juliet Prowse in &lt;em&gt;&lt;strong&gt;Mame&lt;/strong&gt;&lt;/em&gt;, Robert Goulet in &lt;em&gt;&lt;strong&gt;Man of La Mancha&lt;/strong&gt;&lt;/em&gt;, as well as critically acclaimed local re-inventions of classics such as &lt;strong&gt;&lt;em&gt;Cabaret &lt;/em&gt;&lt;/strong&gt;and &lt;em&gt;&lt;strong&gt;Les Miserables&lt;/strong&gt;&lt;/em&gt;.&amp;nbsp; As a way to continue the tradition of musical theatre, TUTS&#8217; Humphreys School of Musical Theatre provides instruction and stage experience for more than 1,700 students annually through both The Academy and The Studio, which allow students to flourish in a year-round schedule of classes.&amp;nbsp;&amp;nbsp; Housed in the Hobby Center for the Performing Arts, TUTS also annually presents the Tommy Tune Awards, honoring the best and brightest in Houston&#8217;s high school musical theatre programs.&lt;br&gt;
&lt;/span&gt;&lt;/p&gt;
 
&lt;br&gt;&lt;br&gt;22-Jun-09 3:00 PM
</description>
			<itunes:subtitle>Theatre Under The Stars&#8217; &#8220;Pick Four&#8221; Season Package On Sale Now!</itunes:subtitle>
			<itunes:summary>&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;HOUSTON, TEXAS&#8230;It&#8217;s never too late to become a subscriber and Theatre Under The Stars provides multiple subscription packages to fit your needs!&amp;nbsp;&amp;nbsp; &lt;strong&gt;TUTS has just announced the availability of the &#8220;Pick Four&#8221; special subscription offer&lt;/strong&gt;.&amp;nbsp; &lt;strong&gt;Subscribers may pick their favorite four out of six incredible musicals in TUTS&#8217; 2009-2010&amp;nbsp; &#8220;The One That You Want!&#8221;&lt;/strong&gt; season line-up at the Hobby Center for the Performing Arts (800 Bagby &amp;amp; Walker).&amp;nbsp; &#8220;Pick Four&#8221; packages are available for as little as $105 and allow subscribers to craft their own season.&amp;nbsp; Benefits of the four-show season package include: discounted subscriber pricing, discounts when purchasing additional individual tickets for certain shows, and freedom to exchange tickets for other performances. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;In its 2009-2010 season TUTS will feature some of the finest musical productions from the Broadway stage, combining powerful classics with innovative new creations and revivals. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Chills will multiply, you&#8217;ll lose control, this is the one that you want! T-Birds and Pink Ladies will have you hopelessly devoted as TUTS presents the tour of the 2008 Tony Award-nominated revival of Broadway&#8217;s, &lt;em&gt;&lt;strong&gt;Grease&lt;/strong&gt;&lt;/em&gt;, &lt;strong&gt;September 8-20, 2009&lt;/strong&gt; with special guest star,&lt;strong&gt; American Idol Taylor Hicks at selected performances!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Clang, Clang ,Clang&amp;nbsp;went the trolley! Charming musical staging and a treasured score are sure to bring back tender memories of times past. The beloved MGM movie musical brings all its magic and beauty to the stage for the TUTS debut of &lt;strong&gt;&lt;em&gt;Meet Me in St. Louis&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;September 29 &#8211; October 11, 2009&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Seven rambunctious children and the most irreverent nun ever to kick a habit lend their playfulness to the holidays at TUTS, welcoming your family into theirs, with &lt;strong&gt;&lt;em&gt;The Sound of Music&lt;/em&gt;&lt;/strong&gt;. Sure to be one of &#8220;your favorite things,&#8221; sing along with us from &lt;strong&gt;December 8-20, 2009!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;Lovers separated and clashing cultures create the passion and thrills of &lt;strong&gt;&lt;em&gt;Miss Saigon&lt;/em&gt;&lt;/strong&gt;, the epic pop-opera that transports you halfway around the world. &#8220;The Heat is On in Saigon&#8221; warms TUTS from &lt;strong&gt;February 9-21, 2010&lt;/strong&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp; &#8220;Gorgeous!&amp;nbsp;&lt;strong&gt;&lt;em&gt;South Pacific&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;doesn&#8217;t just float; it soars!&#8221; cheers &lt;em&gt;USA Today&lt;/em&gt;. &#8220;Simply Wonderful! Theatrical Magic!&#8221; exclaims the &lt;em&gt;New York Post&lt;/em&gt;. TUTS is proud to welcome this dazzling wartime love story and seven-time 2008 Tony Award&amp;#174;-winning Lincoln Center Theatre production revival &lt;strong&gt;March 9-21, 2010&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8226;&amp;nbsp;An American standard takes on a new frontier in the innovative and refreshingly wholesome new musical, &lt;strong&gt;&lt;em&gt;Little House on the Prairie&lt;/em&gt;&lt;/strong&gt;! Join TUTS as the old-time values and spirit of this classical TV series unfold on the stage, &lt;strong&gt;April 28- May 9, 2010&lt;/strong&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&#8220;Pick Four&#8221; subscriptions to Theatre Under The Stars&#8217; 2009-2010 season are available by phone at &lt;strong&gt;(713) 558-8887&lt;/strong&gt;, outside the Houston area at (&lt;strong&gt;888) 558-3882&lt;/strong&gt;,&amp;nbsp; &lt;strong&gt;in person at the Theatre Under The Stars Box Office&lt;/strong&gt; (800 Bagby at Walker) &lt;strong&gt;or online at TUTS.com&lt;/strong&gt;.&amp;nbsp; For a &#8220;Pick Four&#8221; brochure, call Theatre Under The Stars at &lt;strong&gt;(713) 558-2600&lt;/strong&gt;.&amp;nbsp; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;For all of Theatre Under The Stars&#8217; 2009-2010 shows, air transportation is provided by &lt;strong&gt;Continental Airlines&lt;/strong&gt;, the official airline of Theatre Under The Stars.&amp;nbsp; Additional support is provided by &lt;strong&gt;St. Luke&#8217;s Episcopal Health System&lt;/strong&gt;, the official Healthcare Partner of Theatre Under The Stars. Media sponsors include &lt;strong&gt;ABC-13&lt;/strong&gt; and &lt;em&gt;&lt;strong&gt;Houston Chronicle&lt;/strong&gt;&lt;/em&gt;.&amp;nbsp; Season support is funded in part by grants from the&lt;strong&gt; City of Houston through the Theater District Association&lt;/strong&gt; and the &lt;strong&gt;Texas Commission on the Arts&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Founded in 1968, Theatre Under The Stars (TUTS) is Houston&#8217;s acclaimed non-profit musical theatre company and is currently under the direction of President and CEO John C. Breckenridge.&amp;nbsp; TUTS was the first theatrical organization in Houston to perform free to the public in 1968 at Miller Outdoor Theatre in Hermann Park, and is the only Houston arts organization that has performed there free to the public every year since the building opened.&amp;nbsp; Since its founding by Frank M. Young, TUTS has produced more than 300 musicals including many local, national and world premieres such as &lt;strong&gt;&lt;em&gt;Disney&#8217;s When You Wish&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;Kopit and Yeston&#8217;s &lt;em&gt;Phantom&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;Jekyll&amp;nbsp;&amp;amp; Hyde&lt;/em&gt;&lt;/strong&gt;, &lt;em&gt;&lt;strong&gt;Disney&#8217;s Beauty and the Beast&lt;/strong&gt;&lt;/em&gt;, &lt;em&gt;&lt;strong&gt;Funny Girl&lt;/strong&gt;&lt;/em&gt;, and&lt;strong&gt;&lt;em&gt; Irving Berlin&#8217;s White Christmas&lt;/em&gt;&lt;/strong&gt;. TUTS has also produced international tours including Debbie Reynolds in &lt;strong&gt;&lt;em&gt;The Unsinkable Molly Brown&lt;/em&gt;&lt;/strong&gt;, Juliet Prowse in &lt;em&gt;&lt;strong&gt;Mame&lt;/strong&gt;&lt;/em&gt;, Robert Goulet in &lt;em&gt;&lt;strong&gt;Man of La Mancha&lt;/strong&gt;&lt;/em&gt;, as well as critically acclaimed local re-inventions of classics such as &lt;strong&gt;&lt;em&gt;Cabaret &lt;/em&gt;&lt;/strong&gt;and &lt;em&gt;&lt;strong&gt;Les Miserables&lt;/strong&gt;&lt;/em&gt;.&amp;nbsp; As a way to continue the tradition of musical theatre, TUTS&#8217; Humphreys School of Musical Theatre provides instruction and stage experience for more than 1,700 students annually through both The Academy and The Studio, which allow students to flourish in a year-round schedule of classes.&amp;nbsp;&amp;nbsp; Housed in the Hobby Center for the Performing Arts, TUTS also annually presents the Tommy Tune Awards, honoring the best and brightest in Houston&#8217;s high school musical theatre programs.&lt;br&gt;
&lt;/span&gt;&lt;/p&gt;
</itunes:summary>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/art/374/</guid>
			<author>noemail@houstontheaterdistrict.org</author>
			<pubDate>Mon, 22 Jun 2009 20:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.houstontheaterdistrict.org/en/art/373/</link>
			<title>Theatre Under The Stars is proud to present our 42nd Free Summer Musical: 42ND STREET at Miller Outdoor Theater July 9 &#8211; 14, 2009!</title>
			<description>&lt;span class=&quot;SubPage_TextBold&quot;&gt;Houston, TX&lt;/span&gt; - &lt;strong&gt;The tap-happy Tony&amp;#174; Award winning spectacle of &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; marks &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theatre Under The Stars&#8217; (TUTS)&lt;/span&gt; &lt;span class=&quot;SubPage_TextBold&quot;&gt;42nd summer of free performances at Miller Outdoor Theatre&lt;/span&gt;&lt;/strong&gt;. &lt;em&gt;&lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;42nd Street&lt;/span&gt; &lt;/em&gt;brings the grand-scale dance numbers of 1930s Broadway to Miller Outdoor Theatre (100 Concert Drive) &lt;strong&gt;every evening &lt;span class=&quot;SubPage_TextBold&quot;&gt;July 9 &#8211; 14, 2009&lt;/span&gt; at &lt;span class=&quot;SubPage_TextBold&quot;&gt;8:15 p.m.&lt;/span&gt;&lt;br&gt;
&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Set on Broadway during the Great Depression, &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; is the classic backstage tale of aspiring actress and small-town girl, Peggy Sawyer, who finds love and success on the Great White Way. Cast as a chorus girl, Peggy finds herself replacing the star of the show on opening night.&amp;nbsp; The director urges her, &quot;You're going out there a youngster. But you've got to come back a STAR!&#8221; Full of thrilling, grand-scale tap numbers and over the top dance routines, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; features music by Harry Warren, lyrics by Al Dubin and book by Michael Stewart and Mark Bramble. It's based on the Warner Bros. film of the same name and the novel by Bradford Ropes. &lt;strong&gt;The 1980 musical includes &quot;Lullaby of Broadway,&quot; &quot;We're in the Money,&quot; &quot;Shuffle Off to Buffalo&quot; and the title song &#8220;42nd Street&#8221;.&lt;/strong&gt; &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&#8220;It&#8217;s wonderful to see a show like this; a show that really satisfies my craving for the spectacular kind of tap numbers prevalent in old Broadway,&#8221; says Frank Young, Founder of &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theatre Under The Stars&lt;/span&gt;. &#8220;Anyone who&#8217;s ever felt nostalgic for classic Broadway, or just had a dream to be on the big stage will love this show,&#8221; says Young.&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&lt;strong&gt;Actress, &lt;span class=&quot;SubPage_TextBold&quot;&gt;Loretta Swit&lt;/span&gt;&lt;/strong&gt; will play the role of prima donna Dorothy Brock. Though she&#8217;s no stranger to the stage, Swit is best-known for &lt;strong&gt;her two-time Emmy-winning portrayal of Major Margaret &quot;Hot Lips&quot; Houlihan on M*A*S*H. &lt;/strong&gt;Swit was also seen on Broadway in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt;&lt;/span&gt;.&amp;nbsp; &lt;strong&gt;Returning to the TUTS Stage as Billy Lawlor is Humphreys School of Musical Theatre alum, &lt;span class=&quot;SubPage_TextBold&quot;&gt;Austin Miller&lt;/span&gt;&lt;/strong&gt;.&amp;nbsp; Miller recently starred as Adam in the Broadway bound &lt;strong&gt;&lt;em&gt;Trip of Love&lt;/em&gt;&lt;/strong&gt; and headlined the&lt;strong&gt; First National Tour of &lt;em&gt;Hairspray&lt;/em&gt;&lt;/strong&gt; as Link Larkin. Miller&#8217;s TV credits include &lt;strong&gt;NBC&#8217;s&lt;/strong&gt; &#8220;&lt;strong&gt;Grease: You&#8217;re The One That I Want&lt;/strong&gt;&#8221;. He also appeared in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;strong&gt;&lt;em&gt;Disney&#8217;s When You Wish&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;, TUTS&#8217; last free summer musical at Miller Outdoor Theatre. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Starring as Peggy Sawyer is &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Shannon M. O&#8217;Bryan&lt;/strong&gt;&lt;/span&gt;. Shannon has performed Peggy on Broadway all over America and abroad. In the role of director Julian Marsh, is &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Steve Blanchard&lt;/strong&gt;&lt;/span&gt;. Blanchard&#8217;s Broadway credits include &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Beauty and the Beast&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Three Musketeers&lt;/em&gt;&lt;/span&gt;, and &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;A Christmas Carol&lt;/span&gt;.&lt;/em&gt; On the TUTS 09-10 season, &lt;strong&gt;Blanchard will star opposite Melissa Gilbert in the national tour of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Little House On The Prairie&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Also appearing in the cast are &lt;strong&gt;Tony Lawson as Pat Denning, Denise Nolin as Maggie Jones,&amp;nbsp; James Young as Bert Barry,&amp;nbsp; David Titus&amp;nbsp; as Abner Dillon and Sarah Strimel as Anytime Annie.&amp;nbsp; Ensemble features Robert J. Abdoo, Andrew Black , Adam Brozowski , Jason Michael Butler , Abby Church, Veronica Diperna, Lisa Guignard , Sarah Marie Hicks , Rashaan James, II , Kolina Janneck , Scott Leiendecker , Christian Mansfield , Janelle Neal , Candice Pennefather , Tripp Pettigrew , Chuck Rea , Ariel Reid, Krista Saab, Geo Seery , Samantha Shafer , Stephanie Van Duynhoven , and Correy&amp;nbsp; West&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; will be directed and choreographed by &lt;span class=&quot;SubPage_TextBold&quot;&gt;Norb Joerder&lt;/span&gt;, whose work can be seen from Broadway to regional theaters across America, European and International productions.&amp;nbsp; He reunited Robert Goulet and &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;Camelot&lt;/span&gt; &lt;/em&gt;for a critically acclaimed revival on Broadway and a record breaking National tour.&amp;nbsp; He also staged the Richard Harris &lt;em&gt;International &lt;span class=&quot;SubPage_TextItalic&quot;&gt;Camelot&lt;/span&gt;&lt;/em&gt; that toured Australia and Europe.&amp;nbsp; In New York, he has directed and choreographed revivals of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; with Jerry Orbach and Tammy Grimes,&lt;span class=&quot;SubPage_TextItalic&quot;&gt; &lt;em&gt;La Cage Aux Folles&lt;/em&gt;&lt;/span&gt; with Gene Barry and Lee Roy Reams, and &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Gypsy&lt;/em&gt;&lt;/span&gt; with Lainie Kazan. Joerder previously worked with Theatre Under The Stars as director of the 1990 production of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;. John Visser, Music Director for this production of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt;, conducted The National Tour revivals of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;South Pacific&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Man of LaMancha&lt;/em&gt;&lt;/span&gt;, and the 30TH Anniversary Tour of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Fantastiks&lt;/em&gt;&lt;/span&gt; starring Robert Goulet. Other National Tours include&lt;span class=&quot;SubPage_TextItalic&quot;&gt; &lt;em&gt;Anything Goes&lt;/em&gt;&lt;/span&gt; with Mitzi Gaynor, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt;&lt;/span&gt; with Maurice Hines and five productions of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt; with Richard Harris including the &lt;strong&gt;Theatre Under The Stars production&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
For more information on &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt;, call &lt;span class=&quot;SubPage_TextBold&quot;&gt;(713) 558-TUTS (8887)&lt;/span&gt; or visit Theatre Under The Stars on the web at &lt;a href=&quot;http://www.tuts.com/&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Bold_Link&quot;&gt;www.tuts.com&lt;/span&gt;&lt;/a&gt; or Miller Outdoor Theatre on the web at &lt;a href=&quot;http://www.milleroutdoortheatre.com/&quot; target=&quot;_blank&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Link&quot;&gt;www.milleroutdoortheatre.com&lt;/span&gt;&lt;/a&gt;. Free tickets for the covered seats are available on the day of performance between 11:30 a.m. and 1 p.m. at the Miller Theatre Box Office.&amp;nbsp; Any tickets remaining will be given out one hour before curtain. No tickets? Bring a cozy blanket and enjoy the show from the Miller Theatre lawn, the perfect place for a picnic and a show! &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Sponsors for TUTS' presentation of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; include &lt;strong&gt;&lt;span class=&quot;SubPage_TextBold&quot;&gt;Miller Theatre Advisory Board&lt;/span&gt;, &lt;span class=&quot;SubPage_TextBold&quot;&gt;The Wortham Foundation, Inc.&lt;/span&gt;, &lt;span class=&quot;SubPage_TextBold&quot;&gt;The Brown Foundation, Inc&lt;/span&gt;., &lt;span class=&quot;SubPage_TextBold&quot;&gt;Wells Fargo&lt;/span&gt;, and the &lt;span class=&quot;SubPage_TextBold&quot;&gt;George and Mary Josephine Hamman Foundation&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&lt;br&gt;
For all of Theatre Under The Stars' 2008-2009 shows, air transportation is provided by &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Continental Airlines&lt;/strong&gt;&lt;/span&gt;, the Official Airline of Theatre Under The Stars.&amp;nbsp; Additional support is provided by &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Spectra Energy&lt;/strong&gt;&lt;/span&gt; and &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;St. Luke's Episcopal Health System&lt;/strong&gt;&lt;/span&gt;, the Official Healthcare Partner of Theatre Under The Stars.&amp;nbsp; Media sponsors include &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;ABC-13&lt;/strong&gt;&lt;/span&gt; and &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;&lt;em&gt;Houston Chronicle&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;. Season support is funded in part by grants from the &lt;strong&gt;&lt;span class=&quot;SubPage_TextBold&quot;&gt;City of Houston&lt;/span&gt; through the &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theater District Association&lt;/span&gt; and the &lt;span class=&quot;SubPage_TextBold&quot;&gt;Texas Commission on the Arts&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Founded in 1968, Theatre Under The Stars (TUTS) is Houston's acclaimed non-profit musical theatre company and is currently under the direction of President and CEO John C. Breckenridge.&amp;nbsp; TUTS was the first theatrical organization in Houston to perform free to the public in 1968 at Miller Outdoor Theatre in Hermann Park, and is the only Houston arts organization that has performed there free to the public every year since the building opened.&amp;nbsp; Since its founding by Frank M. Young, TUTS has produced more than 300 musicals including many local, national and world premieres such as&lt;em&gt; &lt;span class=&quot;SubPage_TextItalic&quot;&gt;Disney's Beauty and the Beast&lt;/span&gt;&lt;/em&gt;, as well as International tours including Debbie Reynolds in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Unsinkable Molly Brown&lt;/em&gt;&lt;/span&gt;, Juliet Prowse in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Mame&lt;/em&gt;&lt;/span&gt;, Robert Goulet in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Man of La Mancha&lt;/em&gt;&lt;/span&gt;, the Tony Award-winning revival of &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;Carousel&lt;/span&gt; &lt;/em&gt;and the Deaf West Theatre production of &lt;em&gt;Big River&lt;/em&gt;.&amp;nbsp; As a way to continue the tradition of musical theatre, TUTS' Humphreys School of Musical Theatre provides instruction and stage experience for more than 1,700 students annually through both The Academy and The Studio, which allow students to flourish in a year-round schedule of classes.&amp;nbsp;&amp;nbsp; Housed in the Hobby Center for the Performing Arts, TUTS also annually presents the Tommy Tune Awards, honoring the best and brightest in Houston's high school musical theatre programs.&lt;br&gt;
For more information visit &lt;a href=&quot;http://www.tuts.com/&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Link&quot;&gt;www.TUTS.com&lt;/span&gt;&lt;/a&gt;
 
&lt;br&gt;&lt;br&gt;19-Jun-09 4:00 PM
</description>
			<itunes:subtitle>Theatre Under The Stars is proud to present our 42nd Free Summer Musical: 42ND STREET at Miller Outdoor Theater July 9 &#8211; 14, 2009!</itunes:subtitle>
			<itunes:summary>&lt;span class=&quot;SubPage_TextBold&quot;&gt;Houston, TX&lt;/span&gt; - &lt;strong&gt;The tap-happy Tony&amp;#174; Award winning spectacle of &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; marks &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theatre Under The Stars&#8217; (TUTS)&lt;/span&gt; &lt;span class=&quot;SubPage_TextBold&quot;&gt;42nd summer of free performances at Miller Outdoor Theatre&lt;/span&gt;&lt;/strong&gt;. &lt;em&gt;&lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;42nd Street&lt;/span&gt; &lt;/em&gt;brings the grand-scale dance numbers of 1930s Broadway to Miller Outdoor Theatre (100 Concert Drive) &lt;strong&gt;every evening &lt;span class=&quot;SubPage_TextBold&quot;&gt;July 9 &#8211; 14, 2009&lt;/span&gt; at &lt;span class=&quot;SubPage_TextBold&quot;&gt;8:15 p.m.&lt;/span&gt;&lt;br&gt;
&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Set on Broadway during the Great Depression, &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; is the classic backstage tale of aspiring actress and small-town girl, Peggy Sawyer, who finds love and success on the Great White Way. Cast as a chorus girl, Peggy finds herself replacing the star of the show on opening night.&amp;nbsp; The director urges her, &quot;You're going out there a youngster. But you've got to come back a STAR!&#8221; Full of thrilling, grand-scale tap numbers and over the top dance routines, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; features music by Harry Warren, lyrics by Al Dubin and book by Michael Stewart and Mark Bramble. It's based on the Warner Bros. film of the same name and the novel by Bradford Ropes. &lt;strong&gt;The 1980 musical includes &quot;Lullaby of Broadway,&quot; &quot;We're in the Money,&quot; &quot;Shuffle Off to Buffalo&quot; and the title song &#8220;42nd Street&#8221;.&lt;/strong&gt; &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&#8220;It&#8217;s wonderful to see a show like this; a show that really satisfies my craving for the spectacular kind of tap numbers prevalent in old Broadway,&#8221; says Frank Young, Founder of &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theatre Under The Stars&lt;/span&gt;. &#8220;Anyone who&#8217;s ever felt nostalgic for classic Broadway, or just had a dream to be on the big stage will love this show,&#8221; says Young.&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&lt;strong&gt;Actress, &lt;span class=&quot;SubPage_TextBold&quot;&gt;Loretta Swit&lt;/span&gt;&lt;/strong&gt; will play the role of prima donna Dorothy Brock. Though she&#8217;s no stranger to the stage, Swit is best-known for &lt;strong&gt;her two-time Emmy-winning portrayal of Major Margaret &quot;Hot Lips&quot; Houlihan on M*A*S*H. &lt;/strong&gt;Swit was also seen on Broadway in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt;&lt;/span&gt;.&amp;nbsp; &lt;strong&gt;Returning to the TUTS Stage as Billy Lawlor is Humphreys School of Musical Theatre alum, &lt;span class=&quot;SubPage_TextBold&quot;&gt;Austin Miller&lt;/span&gt;&lt;/strong&gt;.&amp;nbsp; Miller recently starred as Adam in the Broadway bound &lt;strong&gt;&lt;em&gt;Trip of Love&lt;/em&gt;&lt;/strong&gt; and headlined the&lt;strong&gt; First National Tour of &lt;em&gt;Hairspray&lt;/em&gt;&lt;/strong&gt; as Link Larkin. Miller&#8217;s TV credits include &lt;strong&gt;NBC&#8217;s&lt;/strong&gt; &#8220;&lt;strong&gt;Grease: You&#8217;re The One That I Want&lt;/strong&gt;&#8221;. He also appeared in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;strong&gt;&lt;em&gt;Disney&#8217;s When You Wish&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;, TUTS&#8217; last free summer musical at Miller Outdoor Theatre. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Starring as Peggy Sawyer is &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Shannon M. O&#8217;Bryan&lt;/strong&gt;&lt;/span&gt;. Shannon has performed Peggy on Broadway all over America and abroad. In the role of director Julian Marsh, is &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Steve Blanchard&lt;/strong&gt;&lt;/span&gt;. Blanchard&#8217;s Broadway credits include &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Beauty and the Beast&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Three Musketeers&lt;/em&gt;&lt;/span&gt;, and &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;A Christmas Carol&lt;/span&gt;.&lt;/em&gt; On the TUTS 09-10 season, &lt;strong&gt;Blanchard will star opposite Melissa Gilbert in the national tour of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Little House On The Prairie&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Also appearing in the cast are &lt;strong&gt;Tony Lawson as Pat Denning, Denise Nolin as Maggie Jones,&amp;nbsp; James Young as Bert Barry,&amp;nbsp; David Titus&amp;nbsp; as Abner Dillon and Sarah Strimel as Anytime Annie.&amp;nbsp; Ensemble features Robert J. Abdoo, Andrew Black , Adam Brozowski , Jason Michael Butler , Abby Church, Veronica Diperna, Lisa Guignard , Sarah Marie Hicks , Rashaan James, II , Kolina Janneck , Scott Leiendecker , Christian Mansfield , Janelle Neal , Candice Pennefather , Tripp Pettigrew , Chuck Rea , Ariel Reid, Krista Saab, Geo Seery , Samantha Shafer , Stephanie Van Duynhoven , and Correy&amp;nbsp; West&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
&lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; will be directed and choreographed by &lt;span class=&quot;SubPage_TextBold&quot;&gt;Norb Joerder&lt;/span&gt;, whose work can be seen from Broadway to regional theaters across America, European and International productions.&amp;nbsp; He reunited Robert Goulet and &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;Camelot&lt;/span&gt; &lt;/em&gt;for a critically acclaimed revival on Broadway and a record breaking National tour.&amp;nbsp; He also staged the Richard Harris &lt;em&gt;International &lt;span class=&quot;SubPage_TextItalic&quot;&gt;Camelot&lt;/span&gt;&lt;/em&gt; that toured Australia and Europe.&amp;nbsp; In New York, he has directed and choreographed revivals of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; with Jerry Orbach and Tammy Grimes,&lt;span class=&quot;SubPage_TextItalic&quot;&gt; &lt;em&gt;La Cage Aux Folles&lt;/em&gt;&lt;/span&gt; with Gene Barry and Lee Roy Reams, and &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Gypsy&lt;/em&gt;&lt;/span&gt; with Lainie Kazan. Joerder previously worked with Theatre Under The Stars as director of the 1990 production of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;. John Visser, Music Director for this production of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt;, conducted The National Tour revivals of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;South Pacific&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt;, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Man of LaMancha&lt;/em&gt;&lt;/span&gt;, and the 30TH Anniversary Tour of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Fantastiks&lt;/em&gt;&lt;/span&gt; starring Robert Goulet. Other National Tours include&lt;span class=&quot;SubPage_TextItalic&quot;&gt; &lt;em&gt;Anything Goes&lt;/em&gt;&lt;/span&gt; with Mitzi Gaynor, &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt;&lt;/span&gt; with Maurice Hines and five productions of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Camelot&lt;/em&gt;&lt;/span&gt; with Richard Harris including the &lt;strong&gt;Theatre Under The Stars production&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
For more information on &lt;span class=&quot;SubPage_Text_Bold_Italic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt;, call &lt;span class=&quot;SubPage_TextBold&quot;&gt;(713) 558-TUTS (8887)&lt;/span&gt; or visit Theatre Under The Stars on the web at &lt;a href=&quot;http://www.tuts.com/&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Bold_Link&quot;&gt;www.tuts.com&lt;/span&gt;&lt;/a&gt; or Miller Outdoor Theatre on the web at &lt;a href=&quot;http://www.milleroutdoortheatre.com/&quot; target=&quot;_blank&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Link&quot;&gt;www.milleroutdoortheatre.com&lt;/span&gt;&lt;/a&gt;. Free tickets for the covered seats are available on the day of performance between 11:30 a.m. and 1 p.m. at the Miller Theatre Box Office.&amp;nbsp; Any tickets remaining will be given out one hour before curtain. No tickets? Bring a cozy blanket and enjoy the show from the Miller Theatre lawn, the perfect place for a picnic and a show! &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Sponsors for TUTS' presentation of &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;42nd Street&lt;/em&gt;&lt;/span&gt; include &lt;strong&gt;&lt;span class=&quot;SubPage_TextBold&quot;&gt;Miller Theatre Advisory Board&lt;/span&gt;, &lt;span class=&quot;SubPage_TextBold&quot;&gt;The Wortham Foundation, Inc.&lt;/span&gt;, &lt;span class=&quot;SubPage_TextBold&quot;&gt;The Brown Foundation, Inc&lt;/span&gt;., &lt;span class=&quot;SubPage_TextBold&quot;&gt;Wells Fargo&lt;/span&gt;, and the &lt;span class=&quot;SubPage_TextBold&quot;&gt;George and Mary Josephine Hamman Foundation&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&lt;br&gt;
For all of Theatre Under The Stars' 2008-2009 shows, air transportation is provided by &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Continental Airlines&lt;/strong&gt;&lt;/span&gt;, the Official Airline of Theatre Under The Stars.&amp;nbsp; Additional support is provided by &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;Spectra Energy&lt;/strong&gt;&lt;/span&gt; and &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;St. Luke's Episcopal Health System&lt;/strong&gt;&lt;/span&gt;, the Official Healthcare Partner of Theatre Under The Stars.&amp;nbsp; Media sponsors include &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;ABC-13&lt;/strong&gt;&lt;/span&gt; and &lt;span class=&quot;SubPage_TextBold&quot;&gt;&lt;strong&gt;&lt;em&gt;Houston Chronicle&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;. Season support is funded in part by grants from the &lt;strong&gt;&lt;span class=&quot;SubPage_TextBold&quot;&gt;City of Houston&lt;/span&gt; through the &lt;span class=&quot;SubPage_TextBold&quot;&gt;Theater District Association&lt;/span&gt; and the &lt;span class=&quot;SubPage_TextBold&quot;&gt;Texas Commission on the Arts&lt;/span&gt;&lt;/strong&gt;. &lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br&gt;
Founded in 1968, Theatre Under The Stars (TUTS) is Houston's acclaimed non-profit musical theatre company and is currently under the direction of President and CEO John C. Breckenridge.&amp;nbsp; TUTS was the first theatrical organization in Houston to perform free to the public in 1968 at Miller Outdoor Theatre in Hermann Park, and is the only Houston arts organization that has performed there free to the public every year since the building opened.&amp;nbsp; Since its founding by Frank M. Young, TUTS has produced more than 300 musicals including many local, national and world premieres such as&lt;em&gt; &lt;span class=&quot;SubPage_TextItalic&quot;&gt;Disney's Beauty and the Beast&lt;/span&gt;&lt;/em&gt;, as well as International tours including Debbie Reynolds in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;The Unsinkable Molly Brown&lt;/em&gt;&lt;/span&gt;, Juliet Prowse in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Mame&lt;/em&gt;&lt;/span&gt;, Robert Goulet in &lt;span class=&quot;SubPage_TextItalic&quot;&gt;&lt;em&gt;Man of La Mancha&lt;/em&gt;&lt;/span&gt;, the Tony Award-winning revival of &lt;em&gt;&lt;span class=&quot;SubPage_TextItalic&quot;&gt;Carousel&lt;/span&gt; &lt;/em&gt;and the Deaf West Theatre production of &lt;em&gt;Big River&lt;/em&gt;.&amp;nbsp; As a way to continue the tradition of musical theatre, TUTS' Humphreys School of Musical Theatre provides instruction and stage experience for more than 1,700 students annually through both The Academy and The Studio, which allow students to flourish in a year-round schedule of classes.&amp;nbsp;&amp;nbsp; Housed in the Hobby Center for the Performing Arts, TUTS also annually presents the Tommy Tune Awards, honoring the best and brightest in Houston's high school musical theatre programs.&lt;br&gt;
For more information visit &lt;a href=&quot;http://www.tuts.com/&quot;&gt;&lt;span class=&quot;Blue_Highlighted_Link&quot;&gt;www.TUTS.com&lt;/span&gt;&lt;/a&gt;
</itunes:summary>
			<guid isPermaLink="false">http://www.houstontheaterdistrict.org/en/art/373/</guid>
			<author>noemail@houstontheaterdistrict.org</author>
			<pubDate>Fri, 19 Jun 2009 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.houstontheaterdistrict.org/en/art/371/</link>
			<title>HOUSTON BALLET CAPS SEASON WITH STANTON WELCH'S STAGING OF SWAN LAKE</title>
			<description>&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;HOUSTON BALLET CAPS SEASON WITH STANTON WELCH'S &lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;STAGING OF &lt;em&gt;SWAN LAKE&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;New Zealand Designer Kristian Fredrikson's Spectacular &lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Scenery and Costumes Inspired by Pre-Raphaelite Paintings&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;Melody Herrera Performs the Swan Queen for the First Time in Houston&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: #800000&quot;&gt;&lt;strong&gt;Linnar Looris Dances Prince Siegfried for the First Time in Houston&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Houston, TX&lt;/strong&gt; - From June 11 - June 21, 2009, Houston Ballet revives Stanton Welch's vibrantly theatrical staging of &lt;strong&gt;Swan Lake&lt;/strong&gt;, which he created for Houston Ballet in 2006. Set to the hauntingly beautiful Tchaikovsky score, &lt;strong&gt;Swan Lake&lt;/strong&gt; tells the classic tale of Odette - a beautiful maiden transformed into a swan by an evil knight - and the prince who swears his enduring love for her. It's good and evil in black and white, danced on rich and spectacular sets by the late, great New Zealand designer Kristian Fredrikson. Houston Ballet will give eight performances of &lt;strong&gt;Swan Lake&lt;/strong&gt; in Brown Theater at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting &lt;a href=&quot;http://www.houstonballet.org&quot;&gt;www.houstonballet.org&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&quot;&lt;strong&gt;Swan Lake&lt;/strong&gt; is the Everest of ballet, a career benchmark and a challenge for choreographers. It' important for my development as an artist to make this work my own, and to give this new generation of dancers at Houston Ballet ownership of the roles,&quot; said Mr. Welch when he choreographed the work for Houston Ballet in 2006.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Dance Magazine&lt;/em&gt; Editor in Chief Wendy Perron in May 2006 observed of Mr. Welch's staging:&lt;/p&gt;
&lt;p&gt;Artistic director Stanton Welch's &lt;strong&gt;Swan Lake&lt;/strong&gt;, with spectacular costumes and sets by the late Kristian Fredrikson, is a fresh read on the classic story . . . this is an emotionally rich, visually stunning, uplifting production ... In Act I, Welch added a rousing dance for the men on their way to the hunt. Emerging singly from their social clusters, they danced with zest and virility, then slipped smoothly back into the groups. The dance not only showed off the company's strong male contingent, but also gave dazzle to the choreography and momentum to the narrative.&lt;/p&gt;
&lt;p&gt;One of the most famous and frequently performed works in the international repertoire, &lt;strong&gt;Swan Lake&lt;/strong&gt; was first performed at the Bolshoi Theater in Moscow in 1877, with a specially commissioned score by Tchaikovsky. The production was not an overwhelming success at its premiere. According to the &lt;em&gt;Oxford Dictionary of Dance&lt;/em&gt;, &quot;neither the ballet nor its ballerina were well received.&quot; On March 1, 1894, Act II of &lt;strong&gt;Swan&lt;/strong&gt;&lt;strong&gt; Lake&lt;/strong&gt;, featuring choreography by Lev Ivanov, was performed for a Tchaikovsky memorial. The Marius Petipa and Lev Ivanov production, which became the definitive version, was performed at the Maryinsky Theatre in St. Petersburg on January 27, 1895. &lt;/p&gt;
&lt;p&gt;Since that time, countless choreographers have staged versions of this classic. George Balanchine once said, &quot;&lt;strong&gt;Swan Lake&lt;/strong&gt; is always changing. That is as it should be.&quot; Each generation responds to classical ballet in a distinct way, and Mr. Welch brings his own unique, twenty-first century aesthetic to a touchstone work. &lt;/p&gt;
&lt;p&gt;Mr. Welch's &lt;strong&gt;Swan Lake&lt;/strong&gt; features lavish designs inspired by Pre-Raphaelite paintings by the celebrated New Zealand designer Kristian Fredrikson, who passed away in November 2005. This production, the last work that Fredrikson created in an illustrious 40-year career spanning three continents, was dedicated to his memory. &lt;/p&gt;
&lt;p&gt;The role of Odette/Odile in Mr. Welch's &lt;strong&gt;Swan Lake&lt;/strong&gt; will be performed by principal dancers Amy Fote, Mireille Hassenboehler, Sara Webb and Melody Herrera (giving her first performance of this role in Houston). &lt;/p&gt;
&lt;p&gt;Appearing as Prince Siegfried are Houston Ballet Principals Simon Ball, who will partner Amy Fote; Ian Casady, who will dance with Melody Herrera; soloist Linnar Looris, will debut in this role in Houston with Mireille Hassenboehler; and Connor Walsh who will perform with Sara Webb. &lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;A New &lt;em&gt;Swan&lt;/em&gt;&lt;em&gt; Lake&lt;/em&gt; for a New Century&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Mr. Welch's &lt;strong&gt;Swan Lake&lt;/strong&gt; is Houston Ballet's third production of this beloved classic. Houston Ballet Artistic Director Emeritus Ben Stevenson created the company's first version in 1977, a production that drew considerable national interest as it was the first American staging of the ballet in over a decade. Mr. Stevenson then created a new version of &lt;strong&gt;Swan&lt;/strong&gt;&lt;strong&gt; Lake&lt;/strong&gt; in 1984, with designs by David Walker, which the company toured throughout the United States and Great Britain.&lt;/p&gt;
&lt;p&gt;&quot;My &lt;strong&gt;Swan Lake&lt;/strong&gt; is set in the classical idiom,&quot; explained Mr. Welch. His production includes many of the familiar elements of this beloved, classical work: the swans, Odette, Odile, and Prince Siegfried. &quot;However,&quot; he continued, &quot;I'm playing with the scenario. I give the ballet a contemporary slant, with complex dramas and a twenty-first century feel and pace.&quot; Mr. Welch's &lt;strong&gt;Swan Lake&lt;/strong&gt; is an updated version of the folktale for a new generation, one that gives the main characters more developed, three-dimensional personalities. &quot;It's apparent that Siegfried, Odette, Rothbart, and Odile, have light and dark sides to their characters,&quot; commented Mr. Welch. &quot;It's important to see and understand the motivation and reason behind their actions.&quot;&lt;/p&gt;
&lt;p&gt;In Mr. Welch's version, Prince Siegfried meets Odette as a maiden, not as a swan, which makes the relationship between the doomed lovers seem more credible. &quot;In my story, Siegfried meets her at night while she is human, before she transforms into a swan in the daylight,&quot; said Mr. Welch. &quot;I'd like to try and make their love story more appealing and tragic by having them meet when she is a real woman.&quot;&lt;/p&gt;
&lt;p&gt;Mr. Welch has created a number of evening-length story ballets including &lt;strong&gt;Cinderella &lt;/strong&gt;(1997),&lt;strong&gt; Madame Butterfly &lt;/strong&gt;(1995),&lt;strong&gt; Don&lt;/strong&gt; &lt;strong&gt;Quixote &lt;/strong&gt;(2003), &lt;strong&gt;The Sleeping Beauty&lt;/strong&gt; (2005), and &lt;strong&gt;Marie&lt;/strong&gt; (2009). Reviewing Mr. Welch's new staging of &lt;strong&gt;The Sleeping Beauty&lt;/strong&gt; for the &lt;em&gt;Sunday Herald Sun, &lt;/em&gt;Catherine Lambert wrote, &quot;This is a stunning production ... Welch and Fredrikson have put an inventive new stamp on this much-loved ballet, ensuring it continues to evolve and reach wider audiences.&quot; (September 18, 2005)&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;Designer Kristian Fredrikson:&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Inspired by John Williams Waterhouse's Painting, &lt;em&gt;The Lady of Shalott&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Mr. Welch, who collaborated with Mr. Fredrikson on &lt;strong&gt;Swan&lt;/strong&gt;&lt;strong&gt; Lake&lt;/strong&gt;, was inspired by John William Waterhouse's painting, &lt;em&gt;The Lady of Shalott&lt;/em&gt; (1888). Waterhouse (1849-1917) was a British Neo-Classical and Pre-Raphaelite painter well-known for works featuring female characters from mythology and literature. The painting, which is based on Lord Alfred Tennyson's poem by the same title, depicts a tragic maiden afloat on a lake. Mr. Welch commented, &quot;When I saw this painting I said, 'This is our Odette.' Here is a woman, a young heroine, lost in a forest by a lake, touched by tragedy.&quot;&lt;/p&gt;
&lt;p&gt;Inspired by Pre-Raphaelite paintings, Mr. Fredrikson's designs feature maidens in long flowing gowns, dozens of white swans, Rothbart as a menacing dragon-like monster, four glamorous and steely black swans, sumptuously outfitted Hungarian, Neapolitan, Russian and Spanish princesses, and a royal court boasting costumes made of brocade, cut-velvet, and pearl-encrusted, sequined fabrics. There are more than 50 tutus, 45 costume designs, 31 characters, and 70 headpieces. The costume for Rothbart alone took Houston Ballet's costume shop more than 600 hours to produce.&lt;/p&gt;
&lt;p&gt;An artist whose career spanned the worlds of dance, opera and theater over three decades, Mr. Fredrikson collaborated with Mr. Welch on five ballets: &lt;strong&gt;Of Blessed Memory&lt;/strong&gt; (1991), &lt;strong&gt;Cinderella &lt;/strong&gt;(1997) and &lt;strong&gt;The&lt;/strong&gt; &lt;strong&gt;Sleeping&lt;/strong&gt; &lt;strong&gt;Beauty &lt;/strong&gt;(2005)&lt;strong&gt; &lt;/strong&gt;for The Australian Ballet; the &lt;strong&gt;Pecos Bill&lt;/strong&gt; section of &lt;strong&gt;Tales of Texas &lt;/strong&gt;(2004)&lt;strong&gt; &lt;/strong&gt;and &lt;strong&gt;Swan Lake &lt;/strong&gt;(2006) for Houston Ballet.&lt;/p&gt;
&lt;p&gt;Mr. Fredrikson designed five different productions of &lt;strong&gt;Swan Lake&lt;/strong&gt; over the last four decades. His first experience with the ballet came from an unusual source: Imelda Marcos. In 1965 Ms. Marcos commissioned him to create the white act (the second act of the full-length work, set by the lakeside) for The Australian Ballet. She then flew in Dame Margot Fonteyn to dance the lead with the Australian company for a one-night performance.&lt;/p&gt;
&lt;p&gt;Mr. Fredrikson created four other productions of &lt;strong&gt;Swan Lake&lt;/strong&gt;, including one set in the Hapsburg Court for The Royal New Zealand Ballet in 1985, a Tudor version for the same company 11 years later, an Art Noveau production for The Australian Ballet and a modern-dress one set in the Windsor Court for The Australian Ballet that premiered in 2002. He commented, &quot;I could do &lt;strong&gt;Swan Lakes&lt;/strong&gt; forever. The beauty of the ballet is the music; it's so inspiring and wonderful. &lt;strong&gt;Swan Lake&lt;/strong&gt; is the most emotional Tchaikovsky ballet score.&quot;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;Behind the Music: Houston Ballet's &lt;em&gt;Swan Lake&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As the first composer who produced symphonic music for ballet, Tchaikovsky created in &lt;strong&gt;Swan&lt;/strong&gt;&lt;strong&gt; Lake&lt;/strong&gt; something that delighted dancers and music lovers. For many, the musical melodies from Tchaikovsky's lush score are synonymous with ballet. Houston Ballet Music Director Ermanno Florio worked with Stanton Welch to organize Tchaikovsky's original score in such a manner that it perfectly suits Mr. Welch's vision for the work.&lt;/p&gt;
&lt;p&gt;Commented Mr. Florio, &quot;As we began discussing the arrangement for his &lt;strong&gt;Swan Lake&lt;/strong&gt;, Stanton and I agreed that we would try to keep to the original Tchaikovsky score by using as much of the original music as possible in its original order, with few cuts within the individual musical numbers. For example, Stanton wanted the White Swan pas de deux and the Black Swan pas de deux music to be performed as is traditionally done, and we restored all of the music for the harp cadenza before the White Swan pas.&lt;/p&gt;
&lt;p&gt;&quot;Stanton organized the ballet into three acts with two intermissions. This would require combining the original Act I and Act II. As the musical numbers that end the original Act I and that start the original Act II are similar, Stanton decided to keep the Act I finale music (which is usually cut) and create a pas de deux on it. Also, in the 'White Act' (the second half of Stanton's Act I), we decided to use the waltz three times, as in the original.&lt;/p&gt;
&lt;p&gt;&quot;Additionally, there are two wonderful pieces of music in the appendix to the musical score of &lt;strong&gt;Swan Lake&lt;/strong&gt; that are rarely used in the full-length version of the ballet: the music used by Balanchine in his &lt;strong&gt;Tchaikovsky Pas de Deux&lt;/strong&gt;, and a fabulous solo for violin called Danse Russe. Stanton is using the 'female variation' music from the &lt;strong&gt;Tchaikovsky Pas de Deux&lt;/strong&gt; and all of the Danse Russe in this version of the ballet.&quot;&lt;/p&gt;
&lt;p&gt;Houston Ballet perfo